My wife has this old locomotive bottle. I didn’t fill it with anything since the bottle is already green. Since I really didn’t want to break it, I used double-sided tape to attach it to the tray. It worked well, but I’m not sure if the metal tray was the right option for this since...
The only image with real beverage in the glass. I tested yellow ink for this, but it looked bad, so I used beer here. I had to drink it after the photoshoot, so that was a bonus.
The LYV wine bottle has this interesting geometric shape. The bottle was filled with water and navy blue alcoholic ink. I think the blue color in that shape looks even better than the original liquid.
This photo series was inspired by a photograph from Jonathan Knowles, which in turn was inspired by the excellent TV series “Mad Men”. I think in that image, the drink is also lit from the front, but I decided to use only backlighting and translucent objects with color. For the skull image, I used a...
Setup and photoshop edit for camera flash hero shot.
As the final task of the year, I compiled a video showcasing my Photoshop edits from 2023, along with lighting diagrams. I typically review these editing videos myself to identify any mistakes I may have made, using them as a learning opportunity. I hope everyone has a happy and successful New Year!
On a warm August evening, I decided to capture a photo of this owl. Back then, a simple T-shirt sufficed, unlike today, where the temperature has plummeted to -15°C. The owl is situated near Kuopio Theatre. I first noticed it one night from the bus window and thought it might be worth photographing.
My son wanted an ’80s glam rock-style image, complete with all the clichés of that time. We set up a fictional backstage in my home studio and took some photos. Additionally, I took one of myself titled ’30 Years Later’ as an example of what that kind of lifestyle might lead to.
The “How I Move” series ventures forth with the timeless classic, the Citroën 2CV, its vibrant orange hue harmonizing seamlessly with the carpet of autumn leaves. While the backdrop trees retained a touch of green, they were deftly retouched to exude a more distinctly autumnal aura.
The third installment in the “How I Move” series for this autumn features the BMW 335xi, a vehicle belonging to my son’s close friend. I inquired if he’d like to participate in this photographic venture, and the result is captured in the following images.
I snapped an extra shot during the last ‘How I Move’ shoot. I might’ve gone a bit heavier on the lighting, though I wasn’t entirely prepped. But hey, sometimes you have to work with what you’ve got.
Introducing the second installment in the “How I Move” series for this autumn – this time featuring a striking motorcycle. The owner’s vision called for a raw, uncompromising concrete backdrop, a choice that harmonizes seamlessly with the essence of this remarkable machine.
Autumn’s arrival signals the perfect moment to resume the ‘How I Move’ series. Mikko, a fellow photographer from our local camera club, was the inaugural subject. Stay tuned for more to follow.
This time, there’s no fancy song or poem, just an old idea that fits perfectly into this series. The photo features a mix of miniature and life-sized elements. I gathered the branches from a nearby forest during spring and let them dry. The tombstone and coffin were already made for a previous picture. The raven...
This image takes inspiration from a proverb by Confucius about revenge. I enlisted my son as a model for this project. To give the portrait an old photograph vibe, I added water damage and greases for an authentic look. Additionally, I created a plain monochrome version of this image and another frame from the same...
For the final image in this series, I aimed for a simple portrait. The white wall appeared somewhat dull, so I introduced some color and texture to enhance it. I would like to extend my gratitude to the Kuopio Fighter Club for generously allowing us to shoot on their premises.
I wanted to capture an image with a slightly different mood – a boxer lost in thought beside the ring, conveying a sense of melancholy compared to the rest of the images. Unfortunately, I often forget to take setup images, particularly when shooting outside my studio. However, this time I happened to have one image...
I’m still using this collection of punching bags. For this image, I wanted to create the impression of a larger hall, so I mirrored the right half of the image. It’s easy to notice that it’s mirrored, but personally, I find that it works quite well.
Near the ring, there was a cluster of punching bags that were already featured in the previous image. I found them quite picturesque and incorporated them into half of the images. Otherwise, capturing a shot like this was a ‘must have’ for the boxing series.
The boxer series continues with this captivating shot from behind. The boxer’s hoodie had a shiny appearance, prompting me to deliberately underexpose the image to preserve the highlights. Since I aimed to create a moody atmosphere, this approach also resulted in darker white walls.